The Legend of Black Shuck (Part One)
- S P Clark
- 5 days ago
- 4 min read
Updated: 4 days ago
Inspired by a recent poetry project in which S P Clark retold the folkloric tale of Bean Sídhe, he has now turned his attention to Black Shuck. This poem, The Legend of Black Shuck, again follows a ballad / narrative-style, and will be revealed in several parts. Enjoy the first part below.

The Legend of Black Shuck
S P Clark
Across all England it is known,
in every corner, nook and home,
that tales of terror may not be
the luxuries of fallacy.
Late at night when all lights are dimmed
and sheltered from the blowing wind,
families gather to debate
the hellish creatures and their fate.
In East Anglia there resides
evil behind homicides;
the deaths remain a mystery
so they become discussory.
Read on reader and I’ll reveal
a story that is most surreal.
When the marshes breathe mist so thick
in the low country, comes so quick
that you never could hope to see
the land pressed tight against the sea.
I don’t tell this tale to cause fright;
but such stories are soothed in light:
something happened, can’t be explained
the door slammed shut but fear remained.
Some creatures from the darkness need
only seconds to plant the seed;
an open door to cross on through
and growls and stands with me and you.
This is the legend of Black Shuck.
Stick with me and if we’re in luck
we might begin to understand
the terror he spreads ‘pon the land.
Elias Reed, raised in the fens
of Norfolk’s Western borders, friends,
as his age grew full to manhood
it was plain that he understood
the story of Black Shuck. And so,
Elias Reed must surely know,
have overheard this legend spoke
from his people, from his kinsfolk,
and felt disquiet choke; the unease
loose in his veins like a disease.
That’s why it’s strange he chose to place
himself with Black Shuck, face-to-face.
Whenever folk tell this fable,
at home, when around the table,
they keep their voices soft and low
in case it’s caught by winds that blow.
Yet, like a reckless fool have I
put pen to paper for your eye
in the hope that it’s safe to read
where voices fail to sow their seeds
of evil. Some comfort, I hope,
this indeed gives for you to cope
with the horror of things I’ll share,
for no details within I’ll spare.
No faltering, let’s plunge right in,
It’s time this legend did begin.
Elias at the local inn
sat chatting and drinking gin,
keeping warm by the burning fire
while outside the storm whipped higher.
The roads between the inn and home
were all the roads that Reed did roam,
where he laboured his working day.
Knew how the ash and birch did sway,
understood the changing weather,
why the bird released its feather
as merrily he spent his day.
The sodden path, the path of clay,
the way his boots sank in the silt,
knowledge of the flowers that wilt.
Elias lived not by danger,
walked afeard amongst a stranger,
so when the Keeper suggested,
“time to leave to where you’re nested”;
he knew the clouds had brewed trouble,
“home”, he thought, “before the bubble
bursts and I’m trapped inside the inn”.
He stepped outside, the air was thin.
Clouds gathered, parted, then reformed
forming odd shapes, not uniformed.
Unsettling tinctures filled the sky.
No rain yet, ‘twas inclement dry.
He walked the sand-road near the coast;
that winds and bends, but he knew most.
Now, dear reader, we have arrived.
I’m sorry that I have contrived
to keep you in suspense thus far
but it’s a story so bizarre
that it takes time to fight back fright.
Where was I? Oh! A dreary night
saw Elias rapidly pace
(a manly gait with not much grace)
to reach his home and be encased,
out of the cold, he then made haste.
No warning came, the wind stopped dead,
black clouds parted above his head,
lilting grass stood to attention,
sea hushed so it couldn’t mention
the sight that was before his eyes.
A shape, an outline in disguise,
hidden beneath the shadowed moon.
Elias froze stiff on this dune
as he convinced himself of tricks
of light, shivering twigs and sticks.
Reason returned, he plodded forth
under the star that shone true north.
Yet even as the road bent round,
he couldn’t believe what he found,
that this figure in the distance
was still stood with such persistence.
Had Elias moved or stood still?
Sense of foreboding, of such ill.
Despite peaks and troughs in the road,
it did not melt nor change its load.
The ungodly shape did not shift,
if anything it seemed to lift
itself towards a little light
to uncover itself that night.
As it did so, there was a need
from deep within Elias Reed
to “find some safety far from here
before this wretched thing comes near”.
Like a statue glued to the spot,
he tried to scream but he could not.
Revealed before him, all agog:
A hideous un-dogly dog.
© S P Clark


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